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(x) Positive photostat of a copyist's full score with HC's inscription: "For Mrs. Elizabeth Sprague Coolidge with deep appreciation of all her excellent work for all Contemporary Creative Music? Henry Cowell." No date seen. In Coolidge Foundation Collec- tion at LC. | ||
| P | Score (lip) published, copyright 1965 but with 1962 notice, AMP. Materials on rental from AMP. | |
| 450a | Movement for String Quartet [arranged for orchestra] | |
| D | Orchestrated measure for measure in 1960 as movement 6 of Sym- phony No. 15 (no. 887) | |
| 451 | Two Woofs [for piano] 1928 (1) Woof I. Allegretto, p2 (2) Woof II. Allegro, p3 | |
| D | 1928. Among the children's pieces written in 1928 (see no. 445) but never published as such. | |
| M | Ink copies complete, (1) in 40m, plus repeat, on 2p; (2) in 34m, plus D.C., on p3 | |
| P | Published in New Music 21:1 (Oct 1947), paged as above | |
| C | Woof I precedes Ruggles's Organum for Orchestra; Woof II Ives's 22 and Three Protests. Ergo, I = Ruggles, II = Ives. | |
| 452 | Irish Suite: A Concerto for String-Piano and Chamber Orchestra 1928-29 (1) The Banshee. Tempo rubato, pl-8 [ = 405a] (2) The Leprechaun. Con moto, pl-16 [ = 448a] (3) The Fairy Bells. Allegretto, pl-10 [ = 447a] | |
| D | 11 Mar 1929. By the fall of 1928 HC had composed these piano-string pieces as piano solos. On 2 Oct 1928 he wrote Nicolas Slonimsky that he was working on the arrangement of "the Suite of three litde semi- pragmatic pieces for your chamber orchestra." | |
| I | Solopf 1111 1100 str | |
| F | Jordan Hall, Boston, 11 Mar 1929, by the Chamber Orchestra of Boston, cond. Nicolas Slonimsky, with HC as soloist | |
| M | Ink full scores of the 3 pieces paginated as above; in CC at NYPL. Positive photostats in FC at PhFL (no. RS472); negative photostats at LC. | |
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