Young and Matured Henry Cowell with his music note.
 
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(x) Positive photostat of a copyist's full score with HC's inscription:
"For Mrs. Elizabeth Sprague Coolidge with deep appreciation
of all her excellent work for all Contemporary Creative Music?
Henry Cowell." No date seen. In Coolidge Foundation Collec-
tion at LC.
 P Score (lip) published, copyright 1965 but with 1962 notice, AMP.
Materials on rental from AMP.
450a Movement for String Quartet [arranged for orchestra]
 D Orchestrated measure for measure in 1960 as movement 6 of Sym-
phony No. 15 (no. 887)
451 Two Woofs [for piano] 1928
(1) Woof I. Allegretto, p2
(2) Woof II. Allegro, p3
 D 1928. Among the children's pieces written in 1928 (see no. 445) but
never published as such.
 M Ink copies complete, (1) in 40m, plus repeat, on 2p; (2) in 34m, plus
D.C., on p3
 P Published in New Music 21:1 (Oct 1947), paged as above
 C Woof I precedes Ruggles's Organum for Orchestra; Woof II Ives's
22 and Three Protests. Ergo, I = Ruggles, II = Ives.
452 Irish Suite: A Concerto for String-Piano and Chamber Orchestra 1928-29
(1) The Banshee. Tempo rubato, pl-8 [ = 405a]
(2) The Leprechaun. Con moto, pl-16 [ = 448a]
(3) The Fairy Bells. Allegretto, pl-10 [ = 447a]
 D 11 Mar 1929. By the fall of 1928 HC had composed these pianoing
pieces as piano solos. On 2 Oct 1928 he wrote Nicolas Slonimsky that
he was working on the arrangement of "the Suite of three litde semi-
pragmatic pieces for your chamber orchestra."
 I Solopf 1111 1100 str
 F Jordan Hall, Boston, 11 Mar 1929, by the Chamber Orchestra of
Boston, cond. Nicolas Slonimsky, with HC as soloist
 M Ink full scores of the 3 pieces paginated as above; in CC at NYPL.
Positive photostats in FC at PhFL (no. RS472); negative photostats
at LC.
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