Young and Matured Henry Cowell with his music note.
 
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 D 11 Dec 1935
 F On the 7th of the WPA Composers' Forum-Laboratories, Midtown
Community Center, New York, 11 Dec 1935, by Ruth Kemper, violin,
and Herman Menth, piano
 M (a) Pencil sketches for movements 3, 5, and 7 are incomplete on
6p. No. 7 bears the caption: "IV Unadomished [sic] March Pro-
letarian. For end?" One would be tempted to ask timorously
"What end?" were it not that in the final MS?(x) below?the
March has become Maestoso and been moved to the 7th and
last position.
(b) A Ip pencil sketch headed "VI Unitonica Andante" is annotated
"Sketch for an orchestral piece" by HC via SRC's hand. The
 3staves all bear treble clefs.
(x) Negative photostats of a copyist's beautiful ink score (complete
in 23p, as above) show the signature: "G. C. MacDonald scrip-
sit."
518 Mosaic Quartet for 2 Violins, Viola, and Cello [later designated String
Quartet No. 3] 1935
(1) Choral. Largo, pl-2
(2) Allegro ( ♩= ca 60), p3-4
(3) Andante, p5-7
(4) Allegretto, p8-9
(5) Allegro non troppo, pi 0-11
 D 11 Dec 1935
 F By the Modern Art Quartet (Jacques Lamer, 1st violin), on the same
program as the preceding, 11 Dec 1935
 M (a) Pencil draft score complete in 30m for Choral only; the move-
ment had been intended as the first of 4 Short Ostinati, of which
no more were written.
(b) Pencil sketches of other movements incomplete on 6p
(x) Photoprints of a copyist's ink score, complete on lip, deposited
by AMP for E Unpub copyright, 1962
 P Miniature score (5p, each movement on a single loose sheet with the
music on 2 facing pages) and parts, each on 1 side of a sheet folded
in thirds so no page turns are required. Published 1965, copyright
1962, AMP.
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