Young and Matured Henry Cowell with his music note.
 
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ding March' to send to Herman Langinger . . . recently married. Am
scoring ... for band before sending it." "Written for Mr. and Mrs.
Herman Langinger" (caption).
 M (a) Ink fair copy was owned by the late Mr. Langinger, HC's long-
time friend and music engraver for the New Music Quarterly
that HC founded and dircted (1927-36, 1940-45).
(b) Pencil (or ink?) draft is on HC's list of "Holographs" dated 30
Sep 1940
 P Not published complete, but Langinger engraved at least the first page
(29m, reproduced in Vivian Perils, Two Men for Modem Music
[Brooklyn: Institute for Studies in American Music, 1978], p25); tide
reduced to Wedding March
550aHerman's Wedding March [arranged for band]
 D Nov 1938. See D in preceding entry.
551Chorus for Contralto Voices [a cappella?]
 D Mentioned in HC's letter of 3 Dec 1938 to Nicolas Slonimsky as sent
to the Otto Luenings. No. 16, under 1938, on HC's list C2; said there
to be used as teaching material at Bennington College. Referred to
as "Chorus for Contraltos" by Otto Luening, The Odyssey of an
American Composer (New York: C. Scribner, 1980), p421.
552 [Pieces for Pereira? for violin and piano]
552/1 Andante Cantabile
Andante - Allegro
 D No. 25, under 1938, on HC's list C2: "Performed at San Quentin by
violinist Pereira." Elsewhere in HC's letters we leam that Raul Pereira
was a former pupil of Joachim, an excellent musician . . . and a con-
victed murderer.
 M Ink draft of violin part complete in 69m, plus D.C., with a modest
cadenza and a coda, on a page stamped "1" of 5
552/2 Violin Movement (Violin Solo)
Moderate molto - Andante cantabile - Allegro
 D [ca 1938?]
 M Ink draft seemingly complete in 65m, plus D.S., on p2 of pages
stamped 1-5. Unlike the other 3 pieces in this group, this seems to
be for violin alone.
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