Young and Matured Henry Cowell with his music note.
 
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 I 3332 433(3rd ad lib)l timp, perc (2 or more players: 5 metal pieces,
 5tom-toms, gong, cym, b dr, eel, xyl, tam-tam) str
 F In Murray State College Auditorium, Murray, KY, by Louisville Sym-
phony Orchestra, cond. Robert Whitney, 7 Oct 1961
 M (a) Ink full score on 47 masters; ozalid prints deposited for E Un-
pub copyright by AMP in 1962
(b) Pencil sketches in condensed score, 5p
 P Study score (78p, as above) copyright 1962, AMP. Parts on rental from
AMP.
 C HC to SRC, 8 Nov 1963: "As you know, Stokowski suggested a new
ending strengthening Symphony ^15.1 finished this yesterday." Source
(a) and the sale and rental materials based on it show no signs of a
revision. Movements 1-4 are arrangements of sections from the first
 4movements of HC's String Quartet No. 3 (no. 518); movement 5
has a new main theme but recapitulates the 4 themes used from no.
518; movement 6 is an arrangement of the 1928 Movement (no. 450)
with no change at the end.
888 Suite [for Strings?]
[No tempo mark]
 D [1950-60?]
 M Ink parts (no score) for 2 violins, viola, cello, and double bass on a
total of 26 masters
[AP LXVI]
 D 14 Feb 1961
 C Not music, but the "Dedication of Symphony ^14" written by HC
inside the outline of a large heart; on music paper, but without music
889 Perpetual Motion Love to Sidney June 2nd 1961 [APLXVII for]
Piano
Allegro commodo
 D 2 Jun 1961 (SRC's birthday)
 M Ink draft complete in 30m, including D. C., on 2 sides of a sheet torn
from a spiral music notebook
 C The motion not only is perpetual but is also dodecaphonic as well
as canonic. The two hands each have one part (both entirely in tre-
ble clef) throughout, the right hand with unbroken 16th notes which
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