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CATALOG |
| D | 1962. Commissioned by the harmonica player John Sebastian for per- formance and recording in Rome. The commission was fulfilled, but Sebastian fell ill and his plans had to be cancelled. | |
| I | Solo harmonica 2220 0100 perc (5 muted dr or tom-toms, glock, gongs, temple blocks) str | |
| F | Not until 4 Apr 1986, at the Brooklyn Academy of Music by the Brooklyn Philharmonic Orchestra, cond. Lukas Foss, soloist Robert Bonfiglio. For once a premiere was followed immediately by 2nd and 3rd performances the following two days. | |
| M | (a) Ink copy on 30 masters. Intermediate prints, 30p, partly direct and partly reverse. Ozalid prints, 30p, deposited for E Unpub copyright, 1969, by Peters. (b) Pencil condensed score complete on 13p (c) Pencil sketches, 4p | |
| P | Full score (reproduction of source [a]), copyright 1969, Peters. Materials on rental from Peters. | |
| C | According to SRC, the composer was especially interested in this work because in it he introduced Japanese elements such as the sound of the shD, the chambered reed organ on which tone clusters, sustained and without the ictus of piano clusters (wording by WL), can be produced. | |
| 909 | Concerto [No. 1] for Koto and Orchestra 1961-62 (1) Largo (♩ = 60 or less) - Allegro non troppo [both repeated], pl-11 (2) Andante - Piu mosso - Tempo I, pl2-18 (3) Allegro - Allegro molto - Tempo I - Grave, pl9-28 | |
| D | 1962. "Commissioned by Kimio Eto" in caption, but the Cowell records show that he merely asked for it; there was no formal com- mission or payment. | |
| I | Solo koto 2222 2220 timp, perc (2 players: cym, woodblock, clapstick, tom-tom, b dr, eel, xyl, vib, glock) harp str | |
| F | Academy of Music, Philadelphia, 13 Dec 1964, by Kimio Eto and the Philadelphia Orchestra, cond. Leopold Stokowski | |
| M | (a) Ink full score on 28 masters; also ozalid prints | |
| < 327 | 328 | 329 | 330 | 331 | 332 | 333 | 334 | 335 | 336 | Pg 337 | 338 | 339 | 340 | 341 | 342 | 343 | 344 | 345 | 346 | 347 > |
CATALOG |