Young and Matured Henry Cowell with his music note.
 
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[938]F No record of the occasion or of a performance has been found. Mr.
Draper says the title rings no bells for him and he is quite certain he
never took part in any performance of the work.
 M Ink full score complete in 98m on 3 masters, the choral parts written
 4to a stave on 2 staves marked "piano for rehearsal only." The tap
dancer's part is notated on 1 line, as for a snare drum.
939 The Eighth-Note Jig [for voice and piano]
Allegro moderate
 D [1960-64?]
 T The caption attributes the text to Raymond Brown (who, SRC sug-
gests, may have been a student or a fellow-patient with HC in a
hospital).
 M (a) Machine copy of holograph on cheap, thin, brownish paper. The
voice part is on 1 staff with the text below, a simple piano part
(1 line on each clef) complete, like the melody, in 34m, plus
repeat, on 2 large sheets.
(x) Copy in an unknown hand on 3 smaller pages with (a)
940 Concerto No. 2 for Koto and Orchestra in the Form of a Symphony
Jan. 1965
(1) Sonata. Moderate (♩ = 72) - Allegro - Piu mosso, masters 1-10
(2) Air. Andante (♩ =76), masters 11-14
(3) Scherzo (Jig). Presto (♩.=104 or more), masters 15-18
(4) Rondo. Allegro molto (Half Note = 126) - Presto - Allegro molto -
Allegro (poco meno mosso) - Allegro molto, masters 20-29
 D Jan 1965
 I Solo koto 2111 1100 timp, perc str
 F In Spalding Auditorium, Dartmouth College, Hanover, NH, 8 May
1965, by Shinichi Yuize (for whom the work was written) and the
Dartmouth Community Orchestra, cond. Mario di Bonaventura
 M (a) Ink full score on 29 masters, paged as above, with pl9 omitted
(b) Solo koto part in possession of Shinichi Yuize
(c) Pencil sketches, 6p
(x) Ink copy of solo koto part, 17p, made by Shinichi Yuize and
given by him to LC in 1982
 P Materials on rental from Peters
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