Young and Matured Henry Cowell with his music note.
 
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[120] (4) Classic Senate. Moderate maestoso - Piu mosso - Adagio - Piu
lento: p9-16
(5) Folk Music: (a) Norwegian; (b) English; (c) Irish: pl7-20 (these
pages missing, no doubt because HC for over a decade played
these sections under variant titles)
(6) Romantic. Part I, earlier: p21-22 [any tempo mark and fur-
ther heading missing through comer tear]. Part II: Later
Romantic in form of a sonate. Moderate maestoso; Slower, se-
cond theme; Development Section, Allegro non troppe: p23-26.
(7) Operatic. Part I, Italian: Allegro - Andantmo; Part II, Dramatic
opera: Largo: p27-34
(8) Oriental. Lento placido: p35-36
(9) Modern. Part I, earlier modem in the form of a senate in one
movement. Moderate maestoso - Lento [square noteheads here
indicate bass notes to be held down and sounded as overtones
by sympathetic vibration] - Allegro scherzando: p37-41. Part
II, Rag, Moderate: p41-43.
(10) Futurist, Allegro, in form of a coda-cadenza with fermata and
double bar: p44
 D Sep 1914 (CD 100). From Clarissa Dixon's notes, summer of 1914:
"Last Monday, Sept. 8 [7? 8 Sep 1914 was a Tuesday], 1914, Hemy
finished The Resume. It was written in less than a week, a week
interrupted twice: once by an evening out and once by part of a day
in Palo Alto" where he went, according to SRC, to the library to learn
how to write a fugue, which he felt was needed in his Resume.
121Birthday Music for Louise Clarke [for piano]
 D Oct 1914 (CD 101)
122Birthday Music for Aurene Harkins [for piano]
 D Nov 1914 (CD 102)
123 Among the Rushes [for voice and piano]
Andante non troppe - Allegro
 D Nov 1914 (CD 103)
 T Poem by Clarissa Dixon
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