Young and Matured Henry Cowell with his music note.
 
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[19]M Pencil notes very large, only 31/2m on Ip; bass staves mostly empty
 C A footnote to "Moderate" explains that it means "As fast as possible"(!).
20 The Moonlight Forest [and miscellaneous fragments for piano]
Andantino con expressive
 D ca 1911-12. Said by HC (via SRC's note laid in) to be among his
earliest fragments.
 M Pencil sketch. It leaves the forest after 14m, passing on to a Song,
 aLarghetto ma non troppe, an Allegro, and a Scherzo that crosses
onto the verso below a 24m "home song" sort of tune.
21 The Rag Waltz [for piano]
Allegro
 D ca 1911-12. Sketched on the verso of no. 19, probably much later.
"Mrs. Viblin" [recteVeblen] at upper left.
 M Pencil sketch. Syncopation in the right hand over "umpahpah" in the
left paled in HC's imagination after 6m, giving way to a wordless
"Song (Lightly)" even shorter; on Ip.
22 Ghoul's Gallop [for piano]
Allegretto
 D Jan-Jun 1912? The verso contains an Etude-Chimes (no. 82/1) dated
by HC as Dec 1913, but one supposes that this page with its nota-
tional peculiarities is earlier, possibly even before 1912.
 M Pencil draft of 114m, counting repeated and silent measures. Prac-
tice noteheads adorn the bottom of the page, with the remark "This
is nothing!"
 C Many rests, static repetitions, and silent measures might argue the
presence of another instrument; but there is no other hint of any, and
such breaks are natural in music meant to accompany children's games
and dances. The first 40m consist of 79 repetitions of 2 staccato 8th
notes on the strong beat followed by a quarter note, a reversal of the
conventional galloping-horse imitation. It may be, however, charac-
teristic of galloping ghouls.
23 [Lento in E major for piano]
 D Jan-Jun 1912? A tear mars what was apparently a dedication "To
Mrs. Livingston." A more regular spacing of the notes suggests af-
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