Young and Matured Henry Cowell with his music note.
 
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voices in unison. Near the end HC's note reminds him to "arrainge
voices," presumably indicating a coda with separate parts rather than
solo or unison as before.
 C This vocal "Chauldron" is not to be confused with the earlier piano
Cauldron (no. 78a) or the later piano piece The Cauldron of Fire (no.
382).
239 Development [for piano]
M.M. 100
 D [ca 1916-17?]
 M Pencil sketch complete in 10m, including 2nd ending for implied
repetition. On p4 of sketches for no. 223 (Quartet Romantic).
 C HC via SRC's caption note: "Piano fragment. Nothing to do with
Quartet Romantic."
240 Prelude [for piano]
Allegro con brio
 D [ca 1916-17?] "Written for Aunt Moe's Birthday and Affectionately
Dedicated to Her." Added to the caption years later: "Henry Cowell
aet. 19 or 20."
 M Ink draft complete in 29m, plus repeat, on pi among sketches for
the much later Suite (no. 397)
241 [Quasi "chorale" for piano]
[No tempo mark]
 D [ca 1916-17?]
 M Pencil draft complete in 16m on Ip after no. 243; a return to the
homorhythmic 4-part writing for piano seen in nos. 8, 9, and 10. This
period, however, must have been written on the page after Telegram.
242 [Sketch for piano]
Slow
 D [ca 1916-17?]
 M Pencil draft incomplete in about 60m on 2p
 C HC via SRC note: "Sketch, never completed nor used."
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