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CATALOG |
| 325 | † | Evening Song [for piano] |
| D | Mar 1921 (CD 253) | |
| C | On HC's solo recital program of 13 Dec 1922, in Co-Related Arts Recital Hall, San Francisco, among his pieces "in earlier style" | |
| 326 | Singing Waters [for piano] (1) Allegro, pl-5 (2) Allegretto quasi andante - Lento, p5-12 (3) Tempo I [Allegro], pl2-17 | |
| D | Mar 1921 (CD 254) | |
| M | (a) Ink draft complete on 17p plus cover/title-page, as above (b) Pencil draft of (3) only, with tide The Histrionic Etude (Sing- ing Waters}, complete on pages "5-8," plus D.C. | |
| 327 | Romance in El» [for piano] Andante cantabile - Piu mosso | |
| D | Mar-Apr 1921 (CD 256) | |
| M | Pencil draft complete on 4p | |
| C | SRC remarked in October 1981 that HC retained a special fondness for this piece throughout his life. | |
| 328 | Exultation [for piano] Allegro non troppo | |
| D | May 1921 (CD 257) | |
| M | Pencil draft sketchily complete in 50m, plus D.S., on 2p | |
| P | Sheet music (4p) copyright 1922, Breitkopf and Haertel (later AMP); | |
| R | in Piano Music by Henry Cowell (AMP, 1960), p4-7 | |
| C | The top of the first page testifies to HC's struggle to hit upon exactly the title he wanted. Crossed out in favor of Exultation are (not in chronological order): Celtic Dance of Merriment, Contradanza, Im- pulse Counterrhythmique, Impulse Joyous, Exhilaration, Joy Rhyth- mus. In his explanatory notes, written or oral (as on Folkways FM-3349), HC described this piece as an "Irish walking tune" that alternates emphasis between right foot and left foot, thus (so he says) not wearing out one foot alone "as in regular marching." See no. 698. | |
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CATALOG |