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| [377] | reference can only be to Rudhyar's "Creators and Public: Their Rela- tionship," The Musical Quarterly 10:1 (Jan 1924), pl20-30, wherein he ranks all men as (1) creators, (2) artists, (3) the aesthetically moved public, or (4) "the inert masses?zero." | |
| M | Ink "greeting" (no words) in 6m, with many tone clusters in the bass. The letter is with the Rudhyar Papers, Manuscripts Division, Depart- ment of Special Collections, Stanford University Libraries. | |
| 378 | Xmas Greetings for Olive [for piano] Fervently | |
| D | 10 Dec 1924 | |
| M | Ink sketch of 4m (no text) on a postal card to Olive Cowell postmarked at Bronxville, NY, 10 Dec 1924; in CC at NYPL Concerto for Piano and Orchestra see no. 406, C | |
| 379 | † | Desert Song for Hayes [for voice and piano] |
| D | 1924 (CD 298) | |
| C | This song was one of a number that HC wrote for Roland Hayes, who had holographs of them for many years. | |
| 380 | Ensemble String Quintet with Thunder Sticks (1) Larghetto - Poco piu mosso - Tempo I, pl-7 [for 2 vn, va, 2 vc, 3 thunder sticks] (2) Prestissimo - Trio, p7-16 [for string quartet; no 2nd cello or thunder sticks] (3) Adagio legato, pl7 [for solo cello and 1 thunder stick] (4) Allegro - Meno mosso, pl8-22 [for 2 vn, va, 2 vc; "No thunder sticks in this movement"] | |
| D | 1924 (CD 277). HC made this work?his first major chamber work and a milestone in his career?the only entry in his CD under 1923, designating it for "small orchestra." That date can only represent one of the earlier stages of its "completion"; indeed, the final version was not achieved until 1956. But the earlier and better-known version, the one published and first performed in 1925, probably was com- pleted in 1924 and was "Dedicated to Blanche Walton," HC's foremost patroness and adherent over the years. | |
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