Young and Matured Henry Cowell with his music note.
 
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 M (a) Ink copy on 4 masters, inscribed as above; ozalid prints with
holograph pencil corrections and additions
(b) An ink or pencil draft was at one time in the possession of Roland
Hayes.
(c) Pencil draft essentially complete in 43m on 4p
 P Sheet music (4p) copyright 1947, Music Press (later Presser)
696 Hymn and Fuguing Tune No. 6 For Sidney 5th Anniversary Sept. 27th
1946 [AP XVIII for keyboard instrument]
(1) Hymn. Andante con moto (♩ = 104), pl-3
(2) Fuguing Tune. Larghetto (♩ = 80), p4-8
 D 27 Sep 1946
 M (a) Ink fair copy on 8 masters
(b) Pencil draft complete in 134m, plus repeats, on 6p
 C The fuguing tune appears in that capacity in movement 4 of Sym-
phony No. 4 (next entry), and was used again as the basis for AP XXI
(no. 711) but with the accent shifted. The kernel of the version used
here also appears in the Fifth Symphony (no. 722).
697 Symphony No. 4 (Short Symphony) For Orchestra
(1) Hymn. Allegro (♩= about 132) - Meno mosso (Andante) -
Allegro, pl-22
(2) Ballad. Andante (♩ = about 84), p23-32
(3) Dance. Vivace (♩=104 to 108), p33-58
(4) Introduction and Fuguing Tune. Allegro con brio (♩ = 144 to
152) - Moderate con moto (♩ = 104), p59-84
 D HC to Serge Koussevitzky, 7 Oct 1946: "I have just completed the
work written for you if you will accept the dedication."
 I 3333 4331 timp, perc (tom-tom, woodblocks, cym, sn dr, b dr)
chimes, xyl harp str
 F At Symphony Hall, Boston, 24 Oct 1947, by Boston Symphony Or-
chestra, cond. Richard Burgin (Koussevitzky was ill)
 M (a) Pencil draft full score on 78p. Movements 1, 2, 4 paged in-
dividually: 1 (pl-31), 2 (pl-15), 4 (pl-32). Movement 3 is miss-
ing.
(b) Pencil drafts and sketches on 2 and 3 staves, totalling 24p.
Mixed in are draft pages for Hymn and Fuguing Tune No. 6
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